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About Liang Vincent WANG

https://liangvincentwang.com/about/

太阳的味道

因为喜欢太阳的味道,所以超喜欢晒被子。搬到新家也有些日子了,住得是比原来舒坦些,就是晒被子没以前来的方便,或许是是自己懒了吧。
今早终于痛下决心,把被子枕头统统拿到楼下阳台日光浴,也就一个时辰后,终于又闻到了久违的太阳味道

电梯下坠时保护自己的最佳动作

虽然每天都嫌SouthPine的电梯慢,但还是得和大家分享一下以下信息
 
电梯下坠时保护自己的最佳动作
   第一、(不论有几层楼)赶快把每一层楼的按键都按下。                        
   第二、如果电梯里有手把,一只手紧握手把。                                
   第三、整个背部跟头部紧贴电梯内墙,呈一直线。                            
   第四、膝盖呈弯曲姿势。                                                  
                                                                           
   说明:因为电梯下坠时,你不会知道它会何时着地,且坠落时很可能会全身骨折而死;
所以第一点是当紧急电源启动时,电梯可以马上停止继续下坠……
第二点是为了要固定你人所在的位子,以致于你不会因为重心不稳而摔伤…
第三点是为了要运用电梯墙壁作为脊椎的防护…
而第四点是最重要的……因为韧带是唯一人体富含弹性的一个组织,所以借用膝盖弯曲来承受重击压力,比骨头来承受压力来的大。
 
希望我的朋友们没机会用到以上信息。假如不幸万一rpwt你真用到了,而且事后你的spine没问题,记得请我吃饭或者音乐会,hiahia

魍魉

常会有朋友问起这两字何音何意。具不完全统计估摸着大于N+1次了,也算是我的FAQ之一,呵呵.
其实这两个字在中学语文课本里就有(新版教材待考察),这里特此再转故居陈贴一张,原贴在此http://yakman.blogchina.com/258861.html
 
魍魉,音同"往两"或曰wang3liang3.

依古代传说,"魍魉"乃颛顼之子,颛顼(公元前2513—2435)传说中的上古帝王, 黄帝之孙,年十岁,佐少昊,二十即帝位,在位七十八年。
"魍魉"既可以指"影子外层的淡影",也可以指"渺茫无所依的样子",前者在《庄子》里还有个寓言,甚至斑固在他的《幽通赋》中也有提及。(参照《王力古汉语字典》P1739) 至于后者,《淮南子览冥训》中有:"浮游,不知所求;魍魉,不知所往"。 
魍魉,严格地说,是"山精",是"木石之怪"。《国语鲁语下》说,"木石之怪曰夔(音魁)、罔两。" 
其实说白了就是"怪物",由金山词霸的翻译"demons and monsters"可见一斑.

全程马拉松,我来了

跑完我的第三个半程马拉松,终于下定决心参见今年的新加坡马拉松全程组。
42.195KM,头一次!人生又将完满一点点。其他的马拉松还得加紧。。
 
今天去gym,终于恢复到以往最高水平了
卧推80KG,肱二牵引33KG,腹肌牵引32KG
 

Back to Victoria with SSO

算起来,好久没在维多利亚听SSO全配置的曲目了,VCH虽没有Esplanade的豪华,维多利亚音乐厅却有着自己的韵味,还有更重要的——历史的积淀。
 
舒伯特的’Tragic’ Symphony是个比较冷门的曲目。我一向有’悲剧情节’,不过这个小调曲目到真没听出悲来T_T
 
Fri, 8 Sep 06 – Sat, 9 Sep 06
8:00pm Victoria Concert Hall

Featuring:
Lan Shui  conductor
Nancy Argenta  soprano

Repertoire/ Programme:

BEETHOVEN – The Ruins of Athens: Overture, Op. 113
MOZART – "Voi avete un cor fedele", K. 217
MOZART – "Un moto di gioia", K. 579
MOZART – Don Giovanni: Overture, K. 527
MOZART – Exsultate, jubilate, K. 165
SCHUBERT – Symphony No. 4 in C minor, D. 417 ‘Tragic’
Synopsis:
Renowned soprano Nancy Argenta joins the SSO to sing two of Mozart’s lovely concert arias as well as his ever-popular sacred work Exsultate, jubilate. The evening opens with Beethoven’s grand overture from his incidental music to The Ruins of Athens, and closes with Schubert’s Tragic Symphony, which was composed in 1816, a particularly fruitful year in his creative life.

Pipe Works 2006/07 Joanna Paul

我说怎么看着面熟,原来上次Jane Smith Parker音乐会上是她帮忙回答我的问题.
btw,最后一曲Henri Mulet 的作品和他老师Widor的实在太像了…

Thursday, 31 August 2006, 8 pm
Orchard Road Presbyterian Church, 3 Orchard Road

 The Pipe Works organ recital series will be launched this year with a special treat for audiences, as Joanna Paul brings us a unique combination of vocal and organ artistry! A Singaporean herself, Paul mainly resides in the U.K, where she leads her career as organist, soprano soloist, music teacher, adjudicator and choral conductor. She has given recitals at St. Paul’s cathedral, Westminster Abbey and throughout the U.K, as well as Canada, Norway, Salzburg, Germany, and throughout Southeast Asia. She has also appeared as soprano soloist in major works such as Bach’s St Matthew Passion, Haydn’s Nelson Mass and Mendelssohn’s Elijah.

Programme

Vocal Works

Pelham Humpfrey (1647-1674)
A Hymn to God the Father

Gottfried Heinrich Stölzel (1690-1749)
Bist du bei mir, BWV 508

Antonin Dvorak (1841-1904)
The Lord’s My Shepherd (Biblicke Pisne Op. 99 No. 4)

Samuel Liddle (1867-1951)
How Lovely Are Thy Dwellings

Felix Mendelssohn (1809-1847)
Hear Ye, Israel, And Be Not Afraid (Elijah Op. 70 No. 21)

Organ Works

Johann Sebastian Bach (1686-1750)
Komm, Gott, Schöpfer, heiliger Geist, BWV 667

Johann Sebastian Bach
O mensch, bewein’ dein’ Sunde gross, BWV 622

Flor Peeters (1903-1986)
Ein’ feste Burg ist unser Gott, Op. 69

Johannes Brahms (1833-1897)
Herzlich tut mich verlangen, Op. 122 No. 9

Max Reger (1873-1916)
Gloria in excelsis, Op. 59

Seth Bingham (1882-1972)
Rock of Ages, cleft for me (Toplady)

Henri Mulet (1878-1967)
Carillon-Sortie